Ángel ricardo ricardo rÍos: Ikebana

october 26, 2023-february 29, 2024


gallery tour with the artist | Thursday, January 25, 2024 - 3:00 pm


Ángel Ricardo Ricardo Ríos, Los prejuicios rosas fueron invenciones del amarillo (Pink Prejudices Were Invented by Yellow), 2020, oil on canvas, Courtesy of Dawn Rippentrop and David Farrell

Ikebana is the centuries old Japanese art form of flower arrangement. Dating back to the Heian period around 800 CE, the term also refers to “making flowers alive.”  ángel Ricardo Ricardo Ríos creates massive paintings and sculptures that explode in bright ruptures of color and living forms. Hints of peTals, stems, and organic shapes have an architectural structure referencing the human body, gardens, and graffiti.

Flowers have long held deep meaning in art history, and the interpretation depends on the era and place. Flowers can symbolize love, reproduction, religious figures, purity, or promiscuity. Ríos is aware of the charged history of flowers in art, and when he creates his paintings, he layers the accumulation of his own experiences in the paint; however, he wants viewers to find their own meanings. Scale plays a significant role in this idea, and his sculptures and paintings are intentionally larger than life: “I want the viewer to be inside the painting, not figuring it out. I want the viewer to have space enough to be inside.” Ríos creates his monumental works by clipping the unstretched canvas directly to the wall and directly uses his hands and fingers to paint in sweeping gestures. The paintings in this exhibition are among Rios’ smaller creations.

The massive inflatable sculpture before you is an organic fusion of pumpkins and gourds, writhing together in an “accumulation of sensual and organic forms.” Pumpkins and flowers play a symbolic role in the Cuban celebration of Oshun, the Goddess of Love, fertility, and sensuality. In a mix of religious beliefs, people offer pumpkins and flowers to the Goddess Oshun and Cuba’s patron Saint Virgen de La Caridad, in pleas for emotional comfort. The artist invites you to enter this sumptuous sculpture for a contemplative experience.

Ríos was born and raised in Cuba and primarily works in Mexico City. While he says his cultural experience has been hybrid, the artworks in this exhibition are not dictated by international borders. Ángel’s artwork is based on human experience, and he invites you to step inside with your own memories and hopes. “Although not reckless, I welcome all surprises and accidents…I never shy away from going toward the unknown—it is the direction of the soul. You can violate any rule, at any time. You are in command.”

This exhibition is generously sponsored by CU Denver’s College of Arts & Media. The Emmanuel is grateful for the collaboration with K Contemporary, with additional support from the Biennial of the Americas. Special thanks to Doug Kacena, Jennifer Berry, Lauren Hartog, and FloraJane DiRienzo.

Exhibition photos taken by Tomas Bernal

Angel Ricardo Ricardo Rios at K Contemporary

K Contemporary has a separate exhibition of Angel Ricardo Ricardo Rios’s work on view at the same time. Fruits of Passion features more of Angel’s paintings and will be on view from December 16, 2023. K Contemporary will host an opening reception on December 16, 2023, as well as a reception with the artist on January 27, 2024 from 3:00-6:00 pm. For more information, click here.

 

Time lapse video made by Tim Brown

 

Ángel Ricardo Ricardo RÍos

Ángel Ricardo Ricardo Ríos was born in Cuba in 1965 where he graduated from the Higher Institute of Art in Havana. Ricardo’s work has an eagerness to it, a blur of boundaries within the space that it occupies. The mixing and intertwining of subjects gives way to explosions of color, texture, and shape, some of which is painted directly with his hands. To understand Ricardo’s work one must acknowledge two essential elements. The first is a playful, joyful and intimate expression that has an intense, frenzied, sexual nature, and the second is a refusal to be confined by the edges of the canvas. Often it appears as if his compositions want to break-free.


Ricardo has exhibited individually since 1981 in multiple institutions including Chapo University Museum, Popular Art Museum in Mexico City, Galeria Luis Sandoval Contemporary Art in Mexico City and Fernando Pradilla Gallery in Madrid. He has exhibited collectively in Zona Maco in Mexico City, Art Miami and the Biennial of Havana in Cuba. Ricardo has received a number of awards and mentions including Honorable Mention in the fourth Biennial of Visual Arts Yucatan Mexico as well as multiple publications including Art Magazine Spain and Art Nexus.